Portrait of Jan Swafford

Composer and writer

About

Jan Swafford's music has been played around the country and abroad by ensembles including the symphonies of St. Louis, Indianapolis, and the Dutch Radio; Boston's new-music groups Musica Viva, Collage, and Dinosaur Annex; and chamber ensembles including the Peabody Trio, the Chamber Orchestra of Tennessee, and the Scott Chamber Players of Indianapolis.

Over the years his music has evolved steadily, but in all its avatars his work is forthrightly expressive, individual in voice, and steadily concerned with lucidity of texture and form. Beneath the surface there are contributions from world music, especially Indian and Balinese, and from jazz and blues. The titles of his works, including Landscape with Traveler, From the Shadow of the Mountain, and The Silence at Yuma Point, reveal a steady inspiration from nature. The composer views his work as a kind of classicism: a concern with clarity and directness, pieces that seem familiar though they are new, that aspire to sound like they wrote themselves.

Also a well-known writer on music, Swafford is author of biographies of Ives, Brahms, and Beethoven. His journalism appears regularly in Slate. He is a long-time program writer and preconcert lecturer for the Boston Symphony and has written program notes and essays for the orchestras of Cleveland, Chicago, San Francisco, and Toronto.

Orchestra & Wind Ensemble

From the Shadow of the Mountain (2001), for string orchestra.

Commissioned and premiered by the Chamber Orchestra of Tennessee, Chattanooga, September 2001.

After Spring Rain (1982), for orchestra.

Commissioned and premiered by the Chattanooga Symphony in 1982. Published by Peer. Won Indiana State University Composition Contest 1983.

  • Adirondack Interlude (2001), for orchestra.
    Commissioned and premiered by the Skidmore College Orchestra, April 2002.
  • Late August: Prelude for Chamber Orchestra on Southern Themes (1992). Full orchestra version, 1998.
    Premiered by the Minneapolis Chamber Symphony, March 1992. Published by Peer.
  • Chamber Sinfonietta (1988), for chamber orchestra.
    Written for and premiered by Boston's Alea III, March 1988. Published by Peer. Won Massachusetts Artists Council Grant 1989.
  • Landscape with Traveler (1980), for orchestra.
    Premiered in a public reading by the American Composers Orchestra 1988. Published by Peer.
  • Point: Genesis: Matrix: Music from the Mountain (1969 to 1972), for wind ensemble.
    First movement premiered by the Boston Conservatory Wind Ensemble 2012.
  • Passage (1975), for strings, piccolo, and percussion.
    Premiered by the St. Louis Symphony 1976. Chosen for the International Gaudeamus Festival 1977.

Chamber Music

They That Mourn (2002), for piano trio.

In memoriam 9/11. Commissioned by Market Square Concerts for their 25th anniversary celebration. Premiered by the Peabody Trio in Harrisburg, Pennsylvania, April 2002. Published by Peer. Recorded on CRI.

  • Requiem in Winter (1991), for string trio or string sextet.
    Written on an NEA Grant. Premiered by the Scott Chamber Players, Indianapolis, November 1992. Published by Peer.
  • Caprices (1989), for piano and three winds.
    Commissioned by the Sylmar Chamber Ensemble of Minneapolis. Premiered in Minneapolis, February 1989.
  • They Who Hunger (1989), for piano quartet.
    A Chamber Music America commission for the Scott Chamber Players. Premiered by the Scott Chamber Players in Indianapolis in 1989. Published by Peer. Recorded on CRI.

Midsummer Variations (1985; second version 1987), for piano quintet.

Commissioned and premiered by the Minnesota Artists Ensemble in 1985. Published by Peer. Won Massachusetts Artists Council Grant 1989.

  • Labyrinths (1981), for violin and cello.
    Premiered at Yale in 1982. Won New England Composers Competition 1984.
  • Out of the Silence (1979), for winds and strings.
    Premiered in New York by Musical Elements in 1979.
  • Fleurs (1978), for five flutists.
    Commissioned and premiered by the St. Louis Flute Club in 1979.
  • The Garden of Forking Paths #3 (1974), for five winds.
    Premiered at Yale in 1974.
  • The Garden of Forking Paths #2 (1971), for flute and piccolo trumpet.
    Premiered at New England Conservatory in 1971. Published by Meridian.
  • String Quartet (1968).
    Premiered at Yale in 1976.

Peal (1976), for six trumpets.

Premiered at Yale in 1977. Chosen for the International Gaudeamus Festival in Holland, 1978.

Keyboard and Solo Instrument

In Time of War (2007), for cello and piano.

Written for and premiered by Emanuel Feldman and George Lopez, New England Conservatory, May 2007.

  • In Time of Fear (1984), for flute and harpsichord.
    Premiered in Deerfield in 1984.

Solo Instrument

  • The Silence at Yuma Point (2011), for solo cello.
    Written for and premiered by Rhonda Rider, February 2011.
  • A Celebration With Cathy (2007), for solo viola.
    Premiered by Ronald Gorevic, Smith College, November 2007.
  • Music Like Steel and Like Fire (1983), for solo piano.
    Premiered at Smith College in 1985. Won Delius Competition '89.

Theater and Vocal Music

  • Iphigenia (1993), for women's choir and ten instruments.
    Concert version with narrator. Original theater version commissioned by the University of Tennessee. Premiered in Chattanooga, November 1993.
  • The Good Woman of Setzuan (1977), for voices and chamber ensemble.
    Premiered at the Yale School of Drama in 1977.

Shore Lines (1982), for soprano and flute.

Premiered in Deerfield in 1983. Published by Meridian. Performed at National Flute Conventions in 1994 and 1995. Won a National Flute Association Award for newly published work in 1995.

Mixed Media

Magus (1977), for cello and tape.

Premiered by Gerhard Pawlica at Boston University in 1978.

Books, essays, and articles

Publications

Books

Cover of Mozart: The Reign of Love

Mozart: The Reign of Love

Harper Perennial, 2021.

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Cover of Language of the Spirit

Language of the Spirit

An Introduction to Classical Music. Basic Books, 2017. Editions in Spanish, Italian, and Chinese.

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Cover of Beethoven: Anguish and Triumph

Beethoven: Anguish and Triumph

Houghton Mifflin Harcourt, 2014. Editions in Spanish, Portuguese, and Chinese.

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Cover of Johannes Brahms: A Biography

Johannes Brahms: A Biography

Knopf (U.S.), 1997. Macmillan (UK), 1998. Edition in Chinese.

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Cover of Charles Ives: A Life With Music

Charles Ives: A Life With Music

W. W. Norton, 1996.

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Cover of The Vintage Guide to Classical Music

The Vintage Guide to Classical Music

Vintage (U.S.), Macmillan (UK), 1993. Second edition, 2001.

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Jan with Perry Scott in Indianapolis
Jan with Perry Scott in Indianapolis.

Publication Reviews

Mozart: The Reign of Love reviews

Composer and biographer Swafford brings expertise and insight to bear on a comprehensive, animated life of Wolfgang Amadeus Mozart. Swafford deftly captures that brilliance in a challenging narrative that is sure to thrill classical music fans. An admiring, authoritative biography.

Kirkus Reviews

An amazing biography. Orchestrating words and themes as deftly as any of the composers he has so vividly revealed to date, Swafford transforms a deluge of available information into imaginative yet fact-based contexts that reveal Mozart's talent in a down-to-earth and memorably human way.

Bookreporter.com

If tackling an 832-page biography of anybody seems daunting for the general reader, Swafford makes it almost effortless with Mozart, animating his genius and offering an astute yet thoroughly approachable analysis of the composer's entire canon. A virtually indispensable volume for the music collection.

Booklist, starred review

The copious detail will appeal to musicologists, while the flowing, conversational style will draw in general readers who'd like to learn more about the composer. Heartily recommended to everyone with an interest in the subject.

Library Journal, starred review

It is a great pleasure to read about Mozart as a working composer in a narrative written by a working composer. The result is a biography that has an immediacy, a wholly thrilling you-are-there impact.

San Francisco Chronicle

The book goes well beyond setting the historical record straight. It is an utterly comprehensive look at Mozart's life, as well as an exhaustive reference to his music. Swafford, who is a composer first, brings a keen understanding of music to the task.

Minneapolis Star Tribune

Few hearts fail to melt upon encountering his humane, joyous and ravishingly beautiful music. Jan Swafford has met the challenge of explaining that magic head on.

The Times (UK)

Mozart: The Reign of Love is now the best single-volume English biography of the greatest composer and musician who ever lived.

Merion West

Swafford is a fluent writer with a sharp eye for detail and capably guides classical music enthusiasts through Mozart's life from its miraculous first act to its denouement.

New Criterion

There may be no one better to tell the exuberant story of the life, loves and music of Wolfgang Amadeus Mozart than composer and author Jan Swafford.

AARP

This is an excellent book on Mozart for both musicians and the general reader. The story is told in a lively, knowing style, shot through with unfailingly erudite and impassioned discussion of the composer's work.

Washington Post

A comprehensive and engaging biography. When he's describing music, Mr. Swafford the novelist often becomes Mr. Swafford the poet, finding the impeccable image or unforgettable turn of phrase.

Wall Street Journal

In this masterfully written biography, Jan Swafford presents a richly detailed portrait of one of the greatest classical composers of all time and debunks many of the myths surrounding Mozart's all-too-short life.

Christian Science Monitor

Swafford paints a revelatory portrait of Mozart, his music, and his times.

New York Journal of Books

Mozart: Reign of Love provides a new way of looking at the composer, his family and career.

Toronto Star

Jan Swafford peppers his biography of a genius with astute critical judgments.

The Economist
Charles Ives: A Life with Music reviews

In Swafford, Ives got the biographer he deserves, Thoughtful, witty, instructive, this is one of the best biographies in recent memory, as warm and strangely inspiring as the man and the music it describes.

Malcom Jones Jr., Newsweek, September 1996

Though Mr. Swafford is no debunker, he stops well short of the Ives idolatry and ideological camp following that weaken older studies...And yet there is never a doubt about which side of the Ivesian divide he stands on. He is one of those informed enthusiasts whose fervor can be contagious.

Donal Henahan, The New York Times, August 1996

In many ways, the book does resemble a work of Ives. It is sprawling, rich with fascinating details, quirky, opinionated, and very appealing. The opening paragraph consists of one 203-word sentence that paints a colorful, Romantic portrait of the Ives homestead...in a manner that will remind readers of Ives's own tonal landscapes.

Larry A. Lipkis, Library Journal, August 1996

Jan Swafford's Charles Ives goes a long way toward dispelling or clarifying many of the most prominent myths surrounding the life and music of perhaps America's greatest composer....Swafford's biography presents us with the most complete picture yet of this fascinating and often contradictory man and his music.

Kenneth Singleton, The Washington Post, July 1996

A sensitive, specific, gracefully worded, and remarkably clearheaded book that is both an engrossing biography of a craggy, idiosyncratic New England "character" and a detailed examination of the work he left behind.

Washington Post Book World, Editor's Choice

An extraordinary story, and Mr. Swafford tells it brilliantly...A rich portrait of a great, lovable man...This is much more than a narrowly musical biography: it should be on the shelves of anyone interested in the history of the past century.

The Economist Review

Swafford's is a thoughtful and sympathetic telling of Ives's life...thoroughly researched and fun to read...what makes this book so valuable is Swafford's skill in weaving the strands of all these areas of knowledge into a cohesive fabric. It is as close as we may come for quite some time to a complete Ives.

Josiah Fisk, The Hudson Review

Swafford has written a scrupulously detailed and unfailingly enthusiastic biography of the great Connecticut composer, whom he sees not only as the natural product of turn-of-the-century Progressivism but as a musician "invaded by the future."

The New Yorker
Johannes Brahms: A Biography reviews

The definitive work on Brahms, one of the monumental biographies in the entire musical library.

The Weekly Standard

A meticulous portrait...Swafford has thoroughly mined the existing literature, both scholarly and popular, and has managed to weave it into his narrative in a seamless fashion...At times the writing unfolds with remarkable lyricism and sweep.

Los Angeles Times

Jan Swafford's intelligent, gracefully written biography offers perhaps the richest and most integrated portrait we've yet had of Brahms as man and artist.

The Hartford Courant

Swafford's analysis of Brahms's performing career as pianist and conductor is especially fascinating.

The New York Times

The author of the much-acclaimed biography Charles Ives: A Life with Music, Swafford has produced yet another masterpiece. This voluminous work combines formidable scholarship with an engaging, can't-put-it-down writing style.

Library Journal
The Vintage Guide to Classical Music reviews

I can think of no more entertaining of well-priced instrument of propaganda for the Serious to lay on a recalcitrant near-and-dear with intent to develop...a glimmer of interest in that which consumes you and me....I'll be thumbing through this for edification and kicks long after I've handed in my review.

Fanfare
Jan signing books at Disney Hall
Signing books at Disney Hall during the Beethoven Series.
Jan with Gustavo Dudamel, James Sinclair, and company after Carnegie Hall
After the Carnegie Hall concert with Maestro Dudamel and conductor and Ives editor James Sinclair and his wife.
Beethoven book with still life and parking tickets
Beethoven book with still life and parking tickets, circa 2008.
Kickoff event for the Spanish Beethoven edition in Barcelona
Kickoff for the Spanish Beethoven edition in Barcelona: left to right, Jesús Ruiz Mantilla, Jan, translator Juan Lucas, and publisher Sandra Ollo.
Interview shoot for a Charles Ives documentary in New York
Shooting interviews for a German TV documentary on Charles Ives, in Ives's relocated studio in the American Academy of Arts and Letters, 2018, with director Anne-Kathrin Peitz.
Shooting a BBC Television Beethoven documentary in Vienna
Shooting a BBC Television Beethoven documentary in Vienna, 2019.
  • Watch Wild Moon of Rancho Cucamonga, a radio-style play by Joshua Fagin that interweaves Jan's readings from the Beethoven biography with recordings by Andrew Rangell.

Articles Online and in Print

Slate

Music columnist 2002 onward

  • The Guardian (London): Composers and Zeitgeists, 2004; Richard and Cosima Wagner, 2004; Ives and his Symphonies, 2003; Paint Me a Sound, 2003; Beethoven the Pianist, 2003; Brahms in Love, 2003; Once Upon a Time in America, 2003; Inventing America, 2003.
  • 19th Century Music: Did the Young Brahms Play in Waterfront Bars? 2001.
  • American Music: The Courtship of Charles and Harmony Ives, 1997.
  • Boston Symphony/Tanglewood Program: Program notes on Beethoven, Brahms, Ives, et al., 1998 onward.
  • The Metropolitan Opera: Program notes for Fidelio and Die Zauberflöte, 2016 to 2017.
  • Chicago Symphony Program: Program notes on Brahms and Dvořák, 1998 to 1999.
  • San Francisco Symphony Program: The War of the Romantics, 2001. Brahms and the Great Tradition, 2003.
  • Cleveland Orchestra Program: Brahms concertos.
  • Detroit Symphony Program: Introduction for a Brahms Festival, 2016.
  • Toronto Symphony: Scripts for Brahms educational presentations, 2010 to 2011.
  • Carnegie Hall Programs: Program notes on Bach, Brahms, Beethoven, 2006 to 2007.
  • Aspen Music Festival: Program book leading essay, 2012.
  • Gramophone: Michael Tilson Thomas Records Ives, 1989.
  • The Independent (London): Brahms and His Rivals, 1998.
  • Symphony: Ives Today, 2013. Tales of a Tanglewood Summer, 1982. Editing Charles Ives, 1988.
  • International Piano: Beethoven and the Piano, 2019.
  • Palau de la Música: Writing about Beethoven, 2019.
  • Chamber Music Society of Lincoln Center: Program notes for Beethoven String Quartet series, 2019.
  • Alpha Classics: Liner notes for complete Beethoven Piano Concertos, 2019.
  • Opera Magazine: Reviews of Debussy and Bernstein opera performances, 2005.
  • Deutsche Grammophon Recordings: Liner notes for complete Beethoven Symphonies recording, 2019.
  • Sony Classical Recordings: Millennium Series composers, 1999. Emanuel Ax and BSO Brahms 2nd Concerto, 1999.
  • Naxos Recordings: Liner notes for Charles Ives series, 2002 onward.
  • BMG/RCA Red Seal: Liner notes for Tilson Thomas Ives recording, 2001.
  • Peer-Southern Concert Music: Charles Ives brochure, 1998.
  • Musical America/Opus: Ives's Fourth Symphony, 1988.
  • Yankee Magazine: New England Eccentrics, Route 2 Memories, Blanche Moyse, and more.
  • Newsweek Japan & International: Violin Prodigy Midori, 1987.
  • New England Monthly: Summer Music in New England, Charles Ives, The Vermont Symphony, The Portland String Quartet, Violinmaker Marten Cornelissen, New Conductors in New England, and music criticism from 1985 to 1990.

Other Essays

Selected Speaking Engagements

  • Boston Symphony Orchestra: preconcert talks, 2003 onward
  • Carnegie Hall: Ives
  • Rosendal Norway Chamber Music Festival: Mozart, 2017; Beethoven, 2019
  • Detroit Symphony: Brahms
  • Wigmore Hall, London: Beethoven Piano Sonatas, 2020
  • BBC Radio 3: Beethoven, 2020
  • Manhattan String Quartet symposium: Krakow and Bonn, Beethoven
  • Grand Teton and Sun Valley Music Festivals: Beethoven, 2019
  • Los Angeles Chamber Orchestra: Elgar
  • Oslo Ultima Festival: Beethoven
  • Los Angeles Philharmonic: Beethoven
  • Beethoven Center Symposium, San Jose: Beethoven's chamber music, 2020
  • Rockport Chamber Music Festival: Beethoven
  • Schenectady Chamber Music Series: Schubert
  • Barcelona Conservatory: Beethoven
  • Ottawa National Arts Center Beethoven Festival: Beethoven
  • University of Kentucky: Beethoven
  • 92nd Street Y with Dr. Gail Saltz: Brahms and Beethoven
  • Camerata Pacifica of Santa Barbara: Beethoven
  • Pontificia Universidad Catolica del Peru: Beethoven
  • Skidmore College: Ives
  • Texas Christian University: Ives
  • University of Arizona School of Music: Ives

Interviews in the films Wagner's Jews; Beethoven's Joseph Cantata; a German documentary on Charles Ives, in progress; and two Beethoven films in progress on Fidelio and the late quartets.

Recognition

Awards

Selected Musical Honors

  • Composer in Residence of Market Square Concerts in Harrisburg, Pennsylvania, 1999 to 2002
  • National Flute Association Prize for newly published flute music, 1995
  • National Endowment for the Arts Composer Grant, 1991
  • Massachusetts Artists Foundation Composer Fellowships, 1983 and 1989; finalist, 1988
  • Grand Prize co-winner, Delius Composition Contest, 1989
  • New England Composers Competition winner, 1984
  • Indiana State University Composition Contest winner, 1983
  • Rockefeller Grant and Meet the Composer Grants, 1982
  • Vermont Council on the Arts Grant, 1979
  • Rome Prize Alternate, 1978
  • Tanglewood Fellowship, 1977
  • Works chosen for the International Gaudeamus Festival in Holland, 1977 and 1978
  • Five MacDowell and five Yaddo Fellowships, 1978 to 1983
  • Leonard Bernstein Scholarship at Harvard, 1964 to 1968

Writing Honors

  • Harvard College Honorary Phi Beta Kappa, 2017
  • Deems Taylor Award for online music writing, 2012
  • Honors for Charles Ives: A Life With Music
    1997 PEN/Winship Award, book of the year by a regional author or on a regional subject.
    Nominated for the National Book Critics Circle Award in Biography.
    Named a 1996 Outstanding Academic Book in Choice: Reviews for Academic Libraries.
    Named a 1996 Notable Book in The New York Times Book Review.
    Nominated for the Lowens Prize as best book on American Music, by the Sonneck Society.
    Finalist for the 1997 Music Journalism Awards.
  • Honors for Johannes Brahms: A Biography
    Named a 1998 Notable Book in The New York Times Book Review; a Critic's Choice, 2000.
    A Publishers Weekly Best Book of 1997.
    A Library Journal Best Book of 1997.
    A 1997 Book of the Month Club alternate selection.
    A 1997 History Book Club selection.
  • Fulbright Fellowship to Vienna, 1995
  • NEH Fellowship with Daria Sommers: grant toward an Ives television documentary, 1991
  • Harvard University Mellon Faculty Fellowship, 1988 to 1989
  • Ingram Merrill Foundation Grant, 1988
  • Sinfonia Foundation Grant, 1988

Education

  • Tanglewood Music Center, 1977. Composition with Betsy Jolas.
  • Yale School of Music, 1974 to 1977. DMA in Composition, 1982 (MMA, 1977). Composition with Jacob Druckman and David Mott. Conducting with Otto Werner-Mueller (instrumental) and John Bailey (choral). Contemporary Pitch Relations and Electronic Music with Robert Morris.
  • Harvard College, 1964 to 1968. B.A. magna cum laude in Music, 1968. Composition with Earl Kim, orchestration with Frederick Prausnitz.

Teaching

  • Kenyon College Summer Institute: adult classes on Brahms and Mozart, 2016 to 2017.
  • Boston Conservatory: Professor of Composition, Theory, and Music History, 2004 to 2014.
  • University of Arizona: Visiting Assistant Professor of Theory and Musicology, spring 2002 to 2003.
  • Tufts University: Writing Lecturer, 1989 to 2015.
  • Harvard College: Mellon Faculty Fellow; taught seminar on American Music, 1988 to 1989.
  • Hampshire College: Visiting Assistant Professor of Music; Director of Electronic Studio, 1979 to 1981.
  • Amherst College: Visiting Assistant Professor of Music, 1980 to 1981.
  • Boston University: Assistant Professor of Theory and Composition, 1977 to 1978.
Jan with Max Hobart and the Boston Civic Symphony
Jan with Max Hobart and the Boston Civic Symphony.
Jan giving a preconcert lecture at Carnegie Hall
Preconcert lecture at Carnegie Hall before the Vienna Philharmonic performance of their first Charles Ives work, the Second Symphony, 2017.
Yuma Point, Grand Canyon
Yuma Point, Grand Canyon.

Get in touch

Contact

Peermusic Classical

250 W. 57th St., Suite 820
New York, NY 10107
Tel: (212) 265-3910 ext. 17
Fax: (212) 489-2465
Email: peerclassical@peermusic.com